Net-X-Convert & Proxy
Command Line File Conversion
Net-X-Convert provides a command line transcoding solution so you can work in your preferred format and effectively deliver the required files for the job. The more economical Net-X-Proxy provides an expandable solution for the creation of proxy files, using the same command line structure.
| Compatibility: | ||
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Windows 7 or greater | |
Net-X-Convert and Net-X-Proxy
Net-X-Convert provides a highly robust solution for large scale transcoding requirements. Transcode automatically to the widest range of industry standard formats, from the instant files are received, to multiple targets from collaboration and editing formats, through to full resolution delivery formats. Command line functionality provides a 'set it and forget it' approach to the ever increasing number of required formats used in file based content creation and delivery.
The cost effective Net-X-Proxy provides an expandable solution for the creation of proxy files, using the same command line structure.
Wide Industry Standard Support
All signal and file formats are supported with the same version. There are no restrictions in size, so all standard sizes are supported. Create and maintain media files for all of your applications and devices, without proprietary restrictions. Use the devices you prefer, the formats best suited to the application, and the workflow that best meets your requirements.
Wide Conversion Support
Net-X-Convert and Net-X-Proxy showcase Drastic's 20+ years of expertise in file format support. Almost all broadcast and post production formats are supported, including the latest camera raw formats. Files are automatically stitched together to provide single clips that include multiple video, audio and metadata files. Time code, metadata and closed captioning are preserved, on everything from high resolution camera inputs to MP4/DASH and HLS outputs. Sources and targets for conversion can be local drives, network shares, HTTP/FTP, Google Cloud, and Amazon S3 storage. The conversions can even be run in a cloud instance VM.
Wrapping, Clipping, Combining and Partial File Restore
When converting files with Net-X-Convert, the output file can be a direct re-wrap, without conversion, of any section of the original file. Sections may be defined by absolute time into the file or by the time code present in the files. Files may also be converted to new file formats and compression types during the clipping process. EDL and EVS CSV lists can be used to create single output files from a variety of edits in a single pass. Partial file restore is also supported, either direct from source, or via a real time index file generated by Net-X-Code.
Extract and Combine/Embed
Various tracks may be exported from files, including video, audio, metadata and closed caption tracks. Metadata is generally transported in an Adobe XMP compatible wrapper. Audio can be extracted to AIFF or WAV for further processing. Closed captions work natively as MOV Text, MXF 436, MCC and SCC files, but many caption formats are supported including AAF, SubRip, SubStation Alpha, VTT, ITT, XML, CSV, Text and many more. Tracks may also be added to, or they may replace, output tracks when converting or clipping. Multiple outputs can be generated with different audio, metadata and closed caption tracks. Simple captions like SRT/VTT/SCC can be upconverted to MCC/SMPTE436 with full conversion, not just compatibility bytes.
Thumbnails and Preview
Net-X-Proxy/Net-X-Convert also support JPEG file extraction for thumbnails and preview. JPEG files can be extracted as a single file from any absolute or time code based point in the file. Also, a series of JPEG files can be extracted at a certain distance from each other to make a pop up thumbnail preview for a web player.
Direct Command Line
Net-X-Convert can help you process existing file libraries or incoming files directly from your MAM software as a direct command line. There are versions of Net-X-Convert and Net-X-Proxy specifically integrated with the eMAM line of products, so eMAM clients can seamlessly add these transcoding and proxy creation tools directly into their workflow.
Enterprise REST APIs
For enterprise level transcoding requirements, Net-X-Convert can run under Net-X-Code Server to provide one or more distributed conversion servers that can be run via HTTP and the REST API.
Sharing Content and Collaboration
Net-X-Proxy can create low resolution (or proxy) streaming files to share with your team via local share, HTTP or dedicated MAM. Net-X-Proxy supports output to MP4, fragmented MP4, TS, M3U8/HLS and DASH formats, including multi bitrate outputs. As much metadata, time code and caption information as possible is maintained in each of the proxy formats. Metadata and closed caption tracks can also be extracted to add more information into your MAM. Net-X-Convert includes all of Net-X-Proxy's capabilities.
Application Compatibility and Conversion
Net-X-Convert provides transcoding to and from the industry's most popular software editing applications. Transcode files for Autodesk Smoke/Flame/Maya, Assimilate SCRATCH, The Foundry Nuke, Avid Media Composer, Adobe Premiere Pro, After Effects, Eyeon Fusion, Apple Motion, Final Cut Pro, and many more.
Content Source Support
The complete list of supported formats, codecs and metadata is too long to publish, but what follows is a rough guide to the kind of content sources supported by Net-X-Convert and Net-X-Proxy, from major software and hardware providers past and present.
| Extension | File Format | Codec | Read | Proxy Write | Convert Write |
| 3GP | 3GP 26x | h 264, 263, 261 | X | ||
| 4224 | 4224 | YCbCr 4:2:2:4 | X | X | |
| AIFF | Apple audio | 16/20/24/32 bit stereo pairs | X | X | |
| ARC | IFX Piranha | Audio/Video (YCbCr/RGB 8 only) | X | ||
| ARI | Arri | Raw 12 bit bayer | X | ||
| Audio: BWF, 8SVX, AU, AVR, GSM, HCOM, IFF, PCM, SF, SMP, SND, VOC, WVE |
Audio files | 44.1/48/96 kHz 16, 20, 24 and 32 bit | X | ||
| AVC, AVCHD, MTS | AVC-HD | MPEG-2 camera media | X | ||
| AVI | Windows | DVSD, DV25, DV50, DVHD, CineForm*, CineForm3D*, YCbCr 8 & 10 SD/HD, standard codecs | X | X | |
| AVS | AVS | Video redirection (Windows only) | X | ||
| BRAW | Blackmagic BRAW | BRAW 12 bit, 3:1, 5:1, 8:1 and 12:1 | X | X | |
| CDX | Codex | Codec raw bayer stills | X | ||
| CINE | Phantom | Phantom 10, 12 and 14 bit bayer | X | ||
| CRW | Canon | Canon camera raw stream | X | ||
| DASH | h.264 | DASH Fragmented MP4 and Smooth Streaming | X | X | X |
| DNG | CinemaDNG | 10, 12 and 16 bit bayer | X | X | |
| DPX | Cineon | RGB 8, RGB 10, YCbCr 4:2:2 | X | X | |
| DPX | CineForm | CineForm*, CineForm3D* | X | X | |
| DT3D | DT3D | XML 3D redirector | X | ||
| DV/DIF | DV/DIF | Raw DV files | X | ||
| DVS | DVS | Uncompressed YCbCr and RGB files | X | ||
| EXR | OpenEXE | High dynamic range float stills | X | ||
| fhgDI, fhgDP, fhgAP | fhgDI, fhgDP, fhgAP | Weisscam digimag format | X | ||
| FLM | FLM | Adobe FilmStrip | X | ||
| FLV/SWV | FLV/SWV | Flash/Shockwave video h.263/264 | X | ||
| FTDIDX | Index file | HAC partial file restore for Pinnacle FT MPEG-ES I-frame only files | X | ||
| GEN | GEN | 4:2:2 YCbCr (Avid DSHD) | X | X | |
| GV | XML/N0/T/I/A | Grass Valley disk record native (K2) | X | ||
| GXF | GXF SMPTE 360 | MPEG-2, DV25, DV50, DVHD | X | ||
| H264 | h.264 | 4:2:0 SD/HD up to 80 mbits/sec | X | X | |
| HDR | YUV | DV25, DV50, DVHD, AVCi100, RGB, Uncompressed YCbCr 8 & 10 SD/HD | X | X | |
| HDR | YUV | YCbCr10, YCbCr16, DPX RGB, DNxHD* | X | X | |
| HDV | HDV | MPEG-2 camera files | X | ||
| HLS | h.264 | HLS TS MultiRate | X | X | X |
| IHSS | Iridas | RGB | X | ||
| ISMV ISMA | Smooth Streaming | h.264, AAC, WMV | X | ||
| JP2 | JPEG-2000 | Series of JPEG-2000 stills | X | X | |
| JS | Jaleo/Mistika | Sgo native 4:2:2 YCbCr | X | X | |
| KRW | Kinefinity | KineRAW Compressed Raw Stills and Stream | X | ||
| LUMA RMY BMY | LUMA RMY BMY | Uncompressed YCbCr | X | ||
| LXF | Leitch/Harris | DVSD, DV25, DV50, DVHD, AVCi50, AVCi100, MPEG-2, h.264 | X | ||
| M3U8 | HLS | h264, h265, TS or MP4 | X | X | X |
| MKV | MKV | Matroska audio video, VPx, h.26x | X | ||
| MLV | Magic Lantern | Raw 14 bit bayer with PCM audio | X | ||
| MOV | QuickTime | DVSD, DV25, DV50, DVHD, AVCi100, DNxHD*, CineForm*, CineForm3D*, RGBA, RGB-10 (DPX), YCbCr 8 & 10 SD/HD, standard codecs | X | X | |
| MOV | QuickTime | ProRes, h264, AVCi, MPEG-2, XDCam | X | X | |
| MOV | Reference File | MOV reference file pointing at h264, ProRes, DV, AVCI | X | ||
| MP1/MP2/MP3 | MP1/MP2/MP3 | MPEG audio | X | ||
| MP4 | AVC1,h.264 | Apple h.264, h.264 AVC | X | X | X |
| MP4 | HEVC, h.264 | HEVC/265 | X | X | |
| MP4 | XAVC-S | Sony XAVC-S HD/4K Cameras | X | ||
| MP4 | MPEG-2 | Sony/Canon camera | X | ||
| MPEG | MPEG-1 | 4:2:0 up to 15 mbits/sec | X | X | |
| MPEG | MPEG-2 | 4:2:0/4:2:2 SD/HD up to 80 mbits/sec | X | X | |
| MPEG | MPEG-4 | 4:2:0 up to 50 mbits/sec | X | X | |
| MTS, M2TS | M2TS | AVC-HD camera files | X | X | |
| MXF | AS-02 | AVCi, DNxHD*, DVHD, JPEG-2000 | X | ||
| MXF | AS-11 DPP UK | AVCi100, IMX 50 | X | ||
| MXF | Avid | DV25, DV50, DVHD, DNxHD*, Uncompressed | X | X | |
| MXF | Canon | MPEG-2 | X | ||
| MXF | Digital Cinema | DCI JPEG-2000 Unencrypted, Uncompressed Audio | X | X | |
| MXF | EditCam | DV25, DV50, DVHD, DNxHD* | X | ||
| MXF | Grass Valley | Grass Valley iCR | X | X | |
| MXF | Harmonic | MPEG-2 | X | ||
| MXF | h.264/AVC | MPEG-2 | X | ||
| MXF | IMF | IMF JPEG-2000 YCbCr, Uncompressed Audio | X | X | |
| MXF | JPEG-2000*** | Grass Valley Infinity | X | X | |
| MXF | OP1a | AmberFin, EVS, MainConcept, MOG, OpenCube, Rovi | X | ||
| MXF | OP1a/Omneon | DV25, DV50, DVHD, AVCi100, Uncompressed | X | X | |
| MXF | OP1b | Panasonic AVCi 4K | X | ||
| MXF | Panasonic-P2 | DV25, DV50, DVHD, AVCi100 | X | X | |
| MXF | Pinnacle | MPEG-2 SD/HD | X | ||
| MXF | Snell & Wilcox | MPEG-2, IMX | X | ||
| MXF | Sony | MPEG IMX | X | X | |
| MXF | Sony | XDCamHD, XDCamEX 4:2:0/4:2:2 | X | ||
| MXF | Sony | HDCam SR 4:2:2 and 4:4:4 | X | X | |
| MXF | Sony | F65 raw bayer | X | ||
| MXF | Sony | F5, F700 raw bayer | X | ||
| MXF | XAVC | XAVC HD and 4K | X | ||
| MXFIDX | Index file | HAC partial file restore for MXF | X | ||
| OGG | OGG | OGG audio video | X | ||
| OMF | OMF | DV25, JPEG, Meridien, AVBV, CamCutter | X | X | |
| OMV | OMV | Uncompressed capture format | X | ||
| QNT | Quantel | Raw uncompressed YCbCr images | X | X | |
| R3D | RED | Red camera files | X | ||
| RAW | ML/IOI | Magic Lantern RAW, IOIndustries RAW bayer | X | ||
| RBG | RED BLU GRN | Uncompressed RGB | X | ||
| RMF | RMF | Canon C500 raw 10 bit bayer files | X | ||
| RTIN | RTINDEX | Real time replay of CBR and VBR records while still recording | X | ||
| RTV | RTV | Uncompressed Video Toaster files (Windows only) | X | ||
| SEQ | Bayer | Raw camera seq bayer files | X | ||
| SIV | Bayer | Raw camera siv bayer files | X | ||
| Stills | Series of stills | BMP, SGI, PSD, RAW, YUV10, YUV16, VSR, RAS, RAW, JP2, JPG - Series of stills (many others) | X | ||
| TGA | Targa | RGB, RGBA (RLE Play Only) | X | X | X |
| TIFF | TIFF | RGB, RGBA | X | X | X |
| TR-01 | TS J2K | JPEG-2000, AES3 | X | X | |
| TS | Transport stream | MPEG-2, h.264, h.265/HEVC, JPEG-2000, AAC, AC-3, AES3 | X | X | |
| V210 | V210 | 4:2:2 10 bit YCbCr image sequence | X | X | X |
| VC1 | VC-1 | WMV of raw wrapper | X | ||
| VOB | VOB | Unencrypted | X | ||
| VPB/QTL | Quantel | Quantel uncompressed YCbCr images | X | ||
| VRW | Varicam Raw | Panasonic Varicam Raw | X | ||
| WAV | Wave audio | 16/20/24/32 bit mono/stereo pairs/extensible | X | X | |
| WEBM | WEBM | Youtube format | X | ||
| WMV/ASF | WMV/ASF | Unencrypted/DRM Free only | X | ||
| XAVC | X-AVC HD/4K | X-AVC 264 in MXF | X | ||
| Y4M | Y4M | YCbCr raw stream | X | ||
| YUV | YUV | 4:2:2 and 4:2:0 YCbCr image sequence | X | X | |
| Y U V | YUV | Multi file component YCbCr files | X |
* CineForm and DNxHD file formats require an optional license.
HTTP/REST API
Net-XConvert and Net-X-Proxy feature command line operation. However, larger, enterprise level transcoding workflows can be more efficiently managed using the REST API, which is provided through Net-X-Code Server. Here are some details about the API.
Command Line
Here are details regarding command line operation:
netxcopy: Wrap, Convert, Extract, Thumbnail and Index Media Files
netxcopy -s <sourcefile> -t <targetfile> [-a <ackfile>] -p <profile> [-in <00:01:00:00> -out <00:02:00:00> -fg]
-s <sourcefile> - The source file name and path
-t <targetfile> - The target file name and path
-a <ackfile> - The ACK file name and path. This is the XML acknowledgement file made after a copy
-p metadata - Return XMP metadata for a media file
-p cardinfo - Return XML/JSON info on clips on a camera card
-p dir - Return XML/JSON directory listing
-p clipfiles - Return all the files associated with a media clip
-p md5 - Calculate or check the MD5 value source, send compare string as target
-p <profile> - Profile to use. Current profiles include:
> copy - copy the whole file
> wrap - re wrap file or part of a file
> index - create an RTIndex for a file
> caption - #- Extract captions from a file(see types below)
> cardinfo - cardinfo
> dir - dir
> clipfiles - clipfiles
> md5 - create md5
> xmp - create xmp
> picon - create picon
> metadata - show metadata
> getCopyInOut - get the extents required for a pfr, or use them with a temp file
> getFirstAndLastTimecode - get the first and last time code of a file
> examine - Show file info
> mov-YCbCr8Bit - QuickTime MOV YCbCr 8 Bit
> mov-dvcprohd - QuickTime MOV DVCProHD
> mp4-h264 - QuickTime MOV h264
> mxf-xdcam-720p - MXF OP1a XDCam 720p 50 4:2:2
> mxf-dvcprohd-720p - MXF OP1a DVCPro HD 720p
> mxf-xdcam-1080i - MXF OP1a XDCam 1080i 50 4:2:2
> mxf-dvcprohd-1080i - MXF OP1a DVCPro HD 1080i
> mov-prores422 - QuickTime MOV ProRes 4:2:2
> mov-proreshq - QuickTime MOV ProRes HQ
> mxf-OP1a-MPEG - MXF OP1a MPEG 50 4:2:2
> mxf-OP1a-h264 - MXF OP1a h.264
> mxf-OP1a-HDF - MXF OP1a HDF 50 4:2:2
> mxf-as-11-hd-dpp - MXF AS-11 HD DPP
> scaledown2000k - MP4 - Scale down to 960x540 with a target bitrate of 2mbits
> scaledown500k - MP4 - Scale down to 480x272 with a target bitrate of 500kbits
> mxf-as-11-sd-pal-dpp - MXF AS-11 SD PAL DPP
> mxf-as-11-sd-ntsc-dpp - MXF AS-11 SD NTSC DPP
> hd1080-5000kbs - MP4 - HD 1080 with a target bitrate of 5 mbs
> hd720-2500kbs - MP4 - HD 720p with a target bitrate of 2.5 mbs
> hd360-1250kbs - MP4 - HD 360p with a target bitrate of 1.25 mbs
> h264-7500kbs - MP4 - Any resolution with a target bitrate of 7.5 mbs
> Proxy-h264-5000kbs - MP4 - Any resolution with a target bitrate of 5 mbs
> LBR-h264-10000kbs - MP4 - Any resolution with a target bitrate of 10 mbs
> mxf-OP1a-JPEG2K - MXF OP1a JPEG-2000 4:2:2
> mxf-AS-02-h264-10 - MXF AS-02 h.264 50 mbs
> DASH-MP4-Multibitrate - MP4 - DASH MP4 Multibitrate
> HLS-TS-Multibitrate - TS - HLS Multibitrate
> TS-TR-01-JPEG-2000 - TS TR-01 JPEG-2000
> mxf-OP1a_HBR_50 - MXF OP1a HBR 264 10 bit 50mbs
> mp3-128kbps - MP3 bit rate 128k
> mp4-XAVC-S_4_2_0 - MP4 Sony XAVC-S 4:2:0
> mp4-XAVC-S_4_2_2 - MP4 Sony XAVC-S 4:2:2
> mov-prores444 - QuickTime MOV ProRes 4:4:4
> mov-proresxq - QuickTime MOV ProRes XQ
> aces - ACES Image Files
> dnxhd-mxf-720p - DNxHD 720p 50, 59, 60
> dnxhd-mxf-1080p - DNxHD 1080p 25, 29, 30
> dnxhd-mxf-1080i - DNxHD 1080i 25, 29, 30
> dnxhr-mxf-10-hq - DNxHR 10 Bit
> dnxhr-mxf-sq - DNxHR SQ
> dnxhr-mxf-lq - DNxHR LQ
> TS-MPEG2 - TS-MPEG2 - MPEG-2 4:2:0/passthrough transport stream
> TS-h264 - TS-h264 - h.264 4:2:0/passthrough transport stream
> wave - WAVE audio only
> MXF-RDD-25 - MXF RDD-25 Proxy Writer
> amt3-LowQuality - MXF Avid Media Low Quality Writer
> amt3-StandardQuality - MXF Avid Media Standard Quality Writer
> amt3-HiQuality - MXF Avid Media High Quality Writer
> amt3-HQX_10 - MXF Avid Media HQX 10 Writer
> amt3-DNxHD36 - MXF Avid Media DNxHD 1080 Writer
> MP4-MultiOutput - MP4 - Multiple MP4 Output
> HEVC-h265-10000kbs - MP4 - HEVC Any resolution with a target bitrate of 10 mbs
> mov-xdcam - MOV - MPEG-2 50 4:2:2
> mkv-ffv1 - MKV - FFV1 Lossless
> dnxhr-mxf-hq - DNxHR HQ
> mov-proreslt - QuickTime MOV ProRes LT
> mov-proresproxy - QuickTime MOV ProRes Proxy
> mp4-vtt-h264 - QuickTime MOV h264
> kipro-prores-lt - QuickTime MOV ProRes LT
> amt3-XDCam - MXF Avid Media XDCam Writer
> amt3-Proxy - MXF Avid Media Proxy Writer
> amt3-Uncompressed - MXF Avid Media Uncompressed Writer
> transport_stream - h264 transport stream
> mxf-xdcam35-1080i - MXF OP1a XDCam 1080i 35 4:2:0
> mxf-xdcam35-1080p - MXF OP1a XDCam 1080p 35 4:2:0
> mxf-xdcam35-720p - MXF OP1a XDCam 720p 35 4:2:0
-in <00:01:00:00> - the starting point for the output file in time code or absolute position
-out <00:02:00:00> - the ending point for the output file in time code or absolute position
-absin <200> - the absolute (zero based) start time for the output file (overrides -in)
-tcoffset <00:01:00:00> - Offset the time code by this amount
-tc <01:00:00:00> - Replace the output time code starting with this time code
-ub <ABCD0123> - Replace the output userbits with these userbits
-absout <400> - the absolute (zero based) end time, exclusive, for the output file (overrides -out)
-width <width> - output width of the video (only for arbitrary codecs like h264, hevc and prores)
-height <height> - output height of the video (if not set, the input size or codec size will be used)
-copy - make a copy of the file section we need, instead of reading directly
-dest - folder or folder and file name for the temp file when using copy
-dest <folder> - folder or folder and file name for the temp file when using copy
-cc <mcc/scc file> - replacement closed caption file>
-afile <path-audio-file> - replacement source audio track<s>
-v <path-video-file> - replacement source video track
-stereo - force a stereo pair (mix down) output
-aroute <12345678/auto> - route channels to specific outputs
-uuid <uuid string> - override the UUID of the file with this one
-kilobitrate <kbit rate> - override the kilo bit rate
-h26xprofile <baseline / main / high / high10 / high422 / high444> - override the profile type
-h26xlevel <51> - override the level
-encodemode <0 / 1> - 0 normal, 1 fastest
-gopsize <15> - size of encoded gop
-scenedetect <0> - aggressiveness of scene detection (0-100)
-tempfolder - Temporary folder to store partial file
-alignment - Alignment value for any temporary partial files, for GetCopyInOut profile
-flags flag - Extra flags for special operations
allSubAudioTracks, aiProfileID-##, audiofirstonly, audioforce8channels, ccExtractChannel-##, ccOutputDirectory-**, convert708to608, use708CompatibiltyBytes, deinterlace-all, deinterlace-auto, deinterlace-sd, deinterlace-hd1080, forceinterlaced, forceprogressive, deinterlace-motionadaptive, deinterlace-yadif, deinterlace-edge, deinterlace-triangle, deinterlace-fieldduplication, eMamAssetID-##, eMamCategory-**, eMamProxyID-##, extractCCLine21, fixOut, forceCCVidStream, forceCaptions, forceAudioMono, forceAudioStereo, forceAudioBlock, forceOutputFramerate-##, fpsCompensation-##, frameAccurate, interplay, interpretFileEncoding-##, markFirstTime, multi, nocache, notifyeMam, offsetTC-##, overrideTC-##, outIsDuration, proxyAfterRecord, overrideextension, proxyDisable, proxyEnable, proxyRecord, rtinReplaceSource, sampleaccurate, shuffleAudio, testMode, processdiscontinuities, tctype24/25/df/ndf/50/59/60, timeConversion, timeIsMs, use2channelsonly, zeroBasedOutput
-m - Save the metadata in an XMP file
-fg - force the GUI on
-fc - force command line
NOTE: the parameters in [square brackets] are optional.
For JPEG picons/thumbnails
-pisrc <file-to-picon> - source for the image
-pidst <where-to-make-picon> - target folder and name
-pisize <size> - size of picon, 100%
-piframe <frame-offset-into-file> - frame to use to make the picon
-piskip <number-of-frames-to-skip> - if set, make a picon of each frame at this distance for the whole file
-width <width> - output width of the picon image
For Caption Extraction, these are the numbers to use with -p caption-#
> caption-# - eg caption-0=mcc, caption-6=SCCAUTO, etc
0=MCC, 1=AAF, 2=TEXT, 3=SCC, 4=SCCDF, 5=N0, 6=SCCAUTO
100=Avid Caption, 101=Belle Nuit Subtitler,
102=CapMaker Plus, 103=Cheetah Caption, 104=Csv, 105=Csv2, 106=Csv3,
107=D-Cine SMPTE 2007, 108=D-Cine SMPTE 2010,
109=EBU STL, 110=Final Cut Pro Xml,
111=Final Cut Xml Gap, 112=Final Cut Pro X Xml,
113=Final Cut Pro XCM, 114=Flash Xml,
115=iTunes Timed Text, 116=JSON, 117=JSON Type 2,
118=JSON Type 3, 119=JSON Type 4, 120=QuickTime text,
121=SAMI, 122=SAMI modern, 123=Scenarist, 124=DVD_SCC,
125=DVD_SCCDF, 126=SoftNi sub, 127=Sony DVDArchitect,
128=Sony DVD Exp dur, 129=Sony DVD line/dur,
130=Sony DVD Tabs, 131=SubRip, 132=Sub Station Alpha,
133=Swift V2, 134=Timed Text 1.0, 135=TT 2006-04 .dfxp,
136=TT 2006-04 .ttml, 137=TT 2006-04 .xml, 138=WebVTT,
139=YT Annotations, 140=YouTube sbv,
141=YouTube Transcript, 142=D-Cinema interop,
143=WebVTT-webvtt, 144=SMPTE-TT 2052,
145=Netflix Timed Text
-q Quiet mode
-l Loud mode
-r 01:00:00:00 Override time code start
-R -00:30:00:00 Offset time codes (e.g. subtract half an hour)
-0 Zero based time code output
-1 Mark this first time code in file
-h # eMAM source clip ID
-s Force CC in video stream
-X Extract CC from line 21 (SD only)
-M # CC channel to extract (def: 1)
-C Use 608 compatibility bytes (not 708)
-c # Convert closed captioning to
-f # Force output frame rate (23, 24, 25, 29, 30)
-g # Compensate conversion (2324, 2423, 2930, 3029)
-o <out-dir> CC output directory
-E # Interpret input file using encoding
0=Auto, 1=UTF-8, 2=UTF-16, 3=IBM-850, 4=IBM-860, 5=Windows-1252
End User License Agreement: International Canadian
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Net-X-Convert
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Net-X-Proxy
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Net-X-Convert Manual
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Apple Inc. - Apple, the Apple logo, Final Cut, Final Cut Pro, Apple TV, iOS, iPad, iPhone, iPod touch, iTunes, Mac, Mac OS X, macOS, Shake, Final Cut Pro, ProRes, High Sierra, Mojave, M1, M2, and QuickTime are trademarks of Apple Inc., registered in the U.S. and other countries.
ARRI AG – ARRI, Arri T-Link, and Alexa are registered trademarks of the ARRI Group
ASSIMILATE® Inc. - Assimilate SCRATCH and Assimilate SCRATCH Lab are either trademarks or registered trademarks of ASSIMILATE® Inc. or its subsidiaries in the United States and/or other countries.
Autodesk, Inc. - Autodesk, Discreet, Flame, Flare, Smoke, Lustre, Maya, and Moxion are either trademarks or registered trademarks of Autodesk, Inc. or its subsidiaries in the United States and/or other countries.
Avid Technology, Inc. - Avid Media Composer®, Avid MediaCentral®, Avid Interplay®, and Avid NewsCutter® are either trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries.
Belle Nuit Montage - Matthias Bürcher August 2000-2016. All rights reserved. Written in Switzerland. Starting 2016 Belle Nuit Subtitler is released under the GNU Lesser General Public License
Blackmagic Design Pty. Ltd. - DaVinci Resolve, DaVinci Fusion, UltraStudio, DeckLink, Intensity Pro 4K, UltraScope, and RED are either trademarks or registered trademarks of Blackmagic Design Pty. Ltd. or its subsidiaries in the United States and/or other countries.
CANON KABUSHIKI KAISHA - CANON is a trademark of CANON KABUSHIKI KAISHA
CoreCodec, Inc. - MATROSKA is a trademark of CoreCodec, Inc.
Corel Corporation - Pinnacle is a registered trademark of Corel Corporation
Drastic Technologies, Ltd. – trademarks specified here.
Eastman Kodak Company - Cineon™ is a trademark of Eastman Kodak Company
Empress Media Asset Management (eMAM) – eMAM, and eMAMDirector are registered trademarks of Empress Media Asset Management (eMAM)
EVS Broadcast Equipment - EVS is a registered trademark of EVS Broadcast Equipment
Google LLC – YouTube, Google, Google Cloud, Google.meet.com, and Android are registered trademarks of Google LLC
GoPro, Inc. - Cineform® is a trademark or registered trademark of GoPro, Inc.
Grass Valley USA, LLC - Grass Valley®, GV®, the Grass Valley logo, and EDIUS® are trademarks or registered trademarks of Grass Valley USA, LLC, or its affiliated companies in the United States and other jurisdictions.
Harris Corporation - Harris, and Leitch Technology Corp. are registered trademarks of Harris Corporation
Interactive Effects, Inc. - Piranha is a registered trademark of Interactive Effects, Inc.
International Business Machines Corporation (“IBM”) - IBM® is a trademark owned by International Business Machines Corporation (“IBM”) and might also be trademarked or a registered trademark in other countries
Kinefinity Inc. - KINEFINITY is a trademark of Kinefinity Inc.
Magic Lantern - Magic Lantern is a registered trademark of Magic Lantern
MAINCONCEPT GMBH - MAIN CONCEPT is a trademark of MAINCONCEPT GMBH
Microsoft Corporation – Microsoft: Windows®, Video For Windows (VFW), DirectShow, Microsoft, Skype, Microsoft Azure, Microsoft Teams, Wave Mapper, Microsoft, Windows NT|2000|XP|XP Professional|Server 2003|Server 2008 |Server 2012, Windows 7, Windows 8, Media Player, Media Encoder, Windows Defender, Microsoft Office, .Net, Internet Explorer, SQL Server 2005|2008|2012|2014, Windows Media Technologies and Internet Explorer are trademarks of Microsoft Corporation.
Netflix, Inc. - Netflix is a registered trademark of Netflix, Inc.
NewTek, Inc. - NDI, TriCaster, 3Play, TalkShow, Video Toaster, LightWave 3D, and Broadcast Minds are registered trademarks of NewTek, Inc.
Omneon Video Networks, Inc - Omneon is a trademark of Omneon Video Networks, Inc
Panasonic Holdings Co., Ltd - Panasonic, and Varicam are trademarks of Panasonic Holdings Co., Ltd
Snell & Wilcox Limited - SNELL & WILCOX, and Quantel are trademarks owned by Snell & Wilcox Limited
Sony Corporation – Sony, Sony DVD Architect, DVD, Catalyst, and Vegas are trademarks of Sony Corporation and/or its affiliates.
The Foundry Visionmongers Ltd. - Nuke™ is a trademark of The Foundry Visionmongers Ltd.
Truevision, Inc - TARGA is a registered trademark of Truevision, Inc
Vision Research, Inc - PHANTOM is a trademark of Vision Research, Inc
Weisscam GmbH - Weisscam is a trademark and brand of Weisscam GmbH
All other trademarks are the property of their respective owners.
